THE STUDIO

Our recording studio in Mexico is a little gem.

The Studio Uno project is inspired by the great studios that have made history.
The studio was carefully designed and built with a strong focus on sound quality to ensure the artists’ comfort. This attention to detail has resulted in the creation of a residential studio that, despite its intimate nature, maintains the essence of an authentic recording studio.
We offer a comprehensive range of services, from production to mastering, supported by a team of highly trained and talented professionals.

Contact us at

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Recording Studio in Oaxaca, Mexico.

Configurations:

At Studio Uno, we offer two different studio rental configurations, designed to suit different needs and budgets.

Sala A

Sala A is reserved for professional projects and medium to large productions. Equipped with cutting-edge technology and a creative-friendly environment, this room provides an exceptional recording experience for those in search of professional results.

Sala B

On the other hand, Sala B is intended for projects with tighter budgets, such as demos, pre-productions, and small productions. Although it has fewer analog hardware and a more limited selection of microphones and preamps compared to Sala A, it still maintains the quality standards that Studio Uno is known for.

In conclusion, both configurations provide top-notch recording solutions designed to cater to a range of needs and budgets. At Studio Uno, our aim is to create a professional and productive environment, enabling clients to bring their musical projects to life with confidence and satisfaction.

Production Gallery

Control Room

Creating our Control Room was one of the most exciting challenges we faced. We set out to design a space that was not only soundproof, but also had impeccable acoustics, so it is equipped with cutting-edge acoustic solutions to ensure an optimal environment for recording, mixing and mastering of various musical genres, from contemporary to world, through classical and folk.

Our dedication to excellence is reflected in every part of the Control Room. From the use of diaphragm traps and QRD diffusers to the implementation of movable panels that offer unparalleled flexibility, each element has been carefully selected and positioned to ensure sound quality and user comfort. We have focused especially on controlling low frequencies and creating clear, transparent mids that enhance the natural beauty of the human voice.

The result we have achieved in our "Control Room" places us in a privileged position. We are proud to say that Studio Uno is an ideal space for music production in our country. We are dedicated to remaining at the forefront of the industry, continually seeking new ways to enhance and elevate the standard of music production in our studio.

Live Room

Our Live Room is a space carefully designed to provide an unparalleled recording experience in a professional and versatile environment. With a focus on sound quality and adaptability, we have created a place where artists can unleash their creativity with confidence and comfort.

The Live Room features state-of-the-art acoustic solutions and was designed to accommodate a wide variety of lineups, from full bands to duets to soloists. Every detail, from the soundproofing to the arrangement of the acoustic panels, has been meticulously taken care of to ensure optimal recording in any situation.

What really sets our room apart is its adaptability. We can adjust the sound response of the room to meet the specific needs of each project. Whether we are eliminating undesired resonances or creating an immersive and resonant environment, we are dedicated to ensuring that every detail is captured with the utmost accuracy.

Technical Data

ANALOG CONSOLE

  • Toft Series ATB 16 Analog Console, with Trident Series 80B® EQ

AD/DA CONVERTER

  • Antelope Audio Orion 32in 32out pristine digital converter
  • Focusrite Clarett+ 4Pre 18in 8out
  • Focusrite Scarlett 18i20 2nd Gen 18in 20out Connected via ADAT to Focusrite Scarlett Octopre 2nd Gen

STUDIO MONITORS

  • Unity Audio Rock MKII
  • JBL 308P MKII
  • Yamaha MSP5s

DAW AND SOFTWARES

  • Protools 2023.12
  • Native Instruments Komplete
  • Arturia
  • Toontrack
  • Slate Digital
  • SSL Complete
  • Universal Audio Spark

Outboards

  • 4 Rupert Neve Designs Portico 511 500-Series
  • 1 Elysia Xpressor 500-Series
  • 1 Elysia Xfilter 500-Series
  • 1 Elysia Nvelope 500-Series
  • 1 Roland SIP-301 Bass Guitar Preamp
  • 1 Yamaha FX500
  • 1 ART Tube MP

MICROPHONES

  • 1 Peluso P67
  • 2 Peluso CEMC-6
  • 1 Royer R-101
  • 1 AKG P420
  • 1 SE Electronics 2200
  • 1 SE Electronics V7
  • 3 Shure SM57
  • 1 Shure PGA52
  • 1 Shure PGA57
  • 1 Shure PGA56
  • 2 Shure PGA181
  • 1 Sennheiser e845
  • 1 Sennheiser e602-II
  • 4 Sennheiser e604
  • 2 Sennheiser e614
  • 1 Audio-Technica ATR6550x
  • 1 Audio-Technica ATR3350xis

Backline

INSTRUMENTS

  • Takamine Classical Guitar
  • Yamaha C40 Classical Guitar
  • Fender Alkaline Acoustic Guitar Malibu Trio
  • Fender Stratocaster Electric Guitar 1985
  • Ibanez AFS75 Electric Guitar
  • Yamaha Attitude Deluxe Electric Bass
  • Yamaha P-125 Electric Piano
  • M-Audio Axiom 25 MIDI Controller
  • Arturia Keylab Essential 49 MIDI Controller
  • Arturia MicroLab MIDI Controller

AMPLIFIERS

  • Fender Blues Jr. Electric Guitar 3

GUITAR PEDALS

  • TC Electronics Polytune Polytune Noir 3 Tuner
  • BOSS Noise Supressor NS-2 noise gate
  • Overdrive Ibanez Tube Screamer TS9
  • PROCOT Rat 2 USA Distortion
  • EMEXIS Waves Compressor
  • DIGITECH/HARDWIRE DL-8 Digital Delay
  • Electro-Harmonix Memory Toy analog delay
  • VALETON Coral Verb II digital modeling reverb
  • Multi effects DIGITECH RP 360XP

How to send your tracks

Mixing

from 2300 in Sala B / from 4000 in Sala A

Gather your numbered and named tracks in a .zip file, the tracks must be .wav 44.1 or 48 at 24bits. In your message don’t forget to tell us everything you consider can help us to better understand your needs, some references are required and welcome.
We will contact you as soon as possible with our considerations and proposals.

Mastering

1150 MXN

Send your stereo mix .wav, make sure you have disabled your limiters, comment in your message about your requirements and references.
We will contact you shortly with the first version.

Mastering With Stems

1700 MXN

Send the stereo stems of your mix should be .wav 44.1 or 48 at 24bits, make sure you have deactivated your limiters, In your message do not forget to tell us anything that you consider can help us to better understand your needs, some references are welcome.

We will contact you shortly with the first version.

Contact

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